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- How were the hierarchies of race, class, and gendered embedded in the architecture, sculpture, and overall presentation of the World’s Columbian Exposition of 1893 in Chicago?
- What was Marcel Duchamp trying to convey to the art world through the process of how he produced Fountain, 1917?
- How did artists of the Harlem Renaissance counter past stereotypes of African Americans?
- Explain the characteristics of Minimalist art and reflect on how this changed audience engagement (spectatorship) in the gallery?
- Explain Charles Moore’s use of pastiche imagery and its significance in Piazza d’Italia, New Orleans, 1978-79?
and the sources can either only be from the textbooks Framing America (Vol 1 & 2) by Pohl if you can. If you cannot, then please just relate it back to the history of American art.
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